2026-05-07 00:36 UTC
@Cognessence@social.linux.pizza @sean_ae@post.lurk.org @elifyalvac@tldr.nettime.org @Rushup_Dee@mastodon.social Ohhh right, yeah, I think I get the two wrongs bit now, maybe? I mean, just that B♭ figure – D-F-D-B♭-D – was crazily throwing me off, I kept hearing that first D as an E♭, which had been in the bass! Amazing stuff.
Replies (1)
-
@Cognessence@social.linux.pizza 2026-05-07 12:43
@miblo@mas.to @sean_ae@post.lurk.org @elifyalvac@tldr.nettime.org @Rushup_Dee@mastodon.social I'm glad that that worked out for you! I should admit that I rarely think about these things consciously in playing, and found that in reading (in a search for higher-level examples that weren't just based on pure tone / sound stuff.) So respect to you for more deliberately trying it out! (After the fact of playing obviously you notice these things - patterns - and may investigate "why", but generally in the moment it is instinctive. 🙂 )